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Posted by on in Collection Care

As the Library looks towards the next phase of its award-winning 21st century building project, our Collection Care team is already working hard to make sure our books are ready for action.

The past decade has seen many impressive developments to the Library building, from the refurbishment of iconic spaces such as the Times Room and the Sackler Study to the addition of a whole new wing in the form of T. S. Eliot House. Now the Library is looking forward to the next stage of its building programme, which will see an extension of the Victorian Back Stacks and the refurbishment of most of our collection spaces.

In order to keep our collections safe, clean and accessible while this work is taking place, we will need to move many of our books to alternative locations. Anyone who has ever moved home will know it is essential to ensure that one’s possessions are in good order, and that they are packed and wrapped in such a way that they will arrive safely at their destination. The Library’s collections are no different, and that’s why our Collection Care team is already preparing them for what promises to be one of the largest book moves in the institution’s history.

The scale of the challenge is considerable. The nineteenth-century Back Stacks occupy seven floors and house five and a half miles of books. To make sure the books can be safely transferred en masse from their existing shelves to other another part of the library, each volume needs to be thoroughly assessed. If a book’s binding is defective, the risk of it suffering further damage is greatly increased, and would be especially high during a complex operation such as a major book move. If the binding is failing, we don’t only risk losing the book’s covers. Without its sturdy protection, text-blocks can suffer tears, staining, crumpling, and pages may also go missing.

Collection Care assistants Frances and Bettina have taken on the challenge of working through the Library’s Topography holdings, checking each volume for structural damage or any significant weakness that would render it vulnerable to rapid degradation. They have learned to identify signs of deterioration, from a few loose pages to a partially detached spine, a board held in place only by sticky tape or a text-block that no longer stands properly within the square of the binding case.

The team’s mission is to select only the most vulnerable books for treatment. Books with only minor or cosmetic damage, which are in a stable condition, are returned to the shelves. It can be a tough call to leave a book on the shelf when it requires some minor repairs, or even if it just looks a little tired, perhaps having a small amount of old tape on the spine or few small tears to the text-block. This strategic approach is nevertheless proving successful, enabling us to commit our available binding funds to those volumes that are most at risk. As the average cost of rebinding an octavo volume comes in at about £20, we need to be selective to ensure we can cover as many shelves as possible before building work commences.

Any books which are found to be particularly fragile are taken off to our Collection Care department, where they are put through a kind of triage. Some may need some to be repaired in-house before they are sent off to the bindery. Page tears are patched with Japanese tissue and wheat starch paste. In some cases we may even be able to stabilise a binding so that the book no longer needs to be sent out to a commercial contractor. Carefully-placed strips of light-but-strong aerolinen can shore up a damaged spine and reinforce any weakened joints.

Other volumes need to be sent to the bindery with specific instructions to ensure that their aesthetic is preserved. We take great care to retain original features from the covers such as illustrated papers panels, printed textiles, and even early Library book labels, which give a taste of the object’s history. Decorative endpapers are preserved where possible, and any repairs are done in cloths and papers which tone in with the original design. In a few cases, where it is impossible to keep an original feature (for example, paper covers which have been glued down onto the book boards), we’ll make a facsimile of it so that the design can still be enjoyed by future readers.

The project has been an enjoyable one for Frances. She says, “I find the Topography section fascinating, as it covers such a large range of subjects, from physical geography to national customs and other aspects of social history. As a collection, it has a lot of character and, browsing through it, you quickly discover how attitudes to travel have changed. The ‘Hints to Travellers’ section is particularly interesting, and I’ve been struck by the eloquence of many of these early guides”.

Overall, it is the transformative effect of the project that has been the most rewarding for all those involved. “I hope that members will find the Topography section even more attractive now”, says Frances. “Some of the bindings were particularly lovely, my favourite being an 1834 Italian guidebook with original leather binding and decorated metal clasps. It is wonderful that we have been able to preserve these bindings for members to enjoy for years to come”.

With between two and five books in need of treatment per shelf, there is still a long way to go until all the of the Back Stacks have been covered, but it is heartening to see how the project is already enhancing the appearance of our collections and giving them vital protection. Crucially, all the books we’ve dealt with are now more stable, and so are in a much better position to be taken off the shelves and browsed, stamped at the issue desk and then taken off in a bag to read at home.

If you would like to learn more about our Back Stacks rebinding project, please get in touch with our Collection Care department. Email judith.finnamore@londonlibrary.co.uk

The charming decorative textile binding from our  Topography collections.

The charming decorative textile binding from our Topography collections.

Damaged bindings leave books vulnerable to page losses.

Damaged bindings leave books vulnerable to page losses.

Before rebinding...

Before rebinding…

...and after.

…and after.

In the past, 'quick-fix' tape repairs were sometimes used to hold a book together. These could be damaging and many are now failing.

In the past, ‘quick-fix’ tape repairs were sometimes used to hold a book together. These could be damaging and many are now failing.

The books spine had be precariously held in place by tape. The tape had since failed revealing the damage it had done to the leather.

The books spine had be precariously held in place by tape. The tape had since failed revealing the damage it had done to the leather.

The same book sensitively rebacked. The decorative leather covers were retained and the damaged patches toned in dark red to improve their appearances.

The same book sensitively rebacked. The decorative leather covers were retained and the damaged patches toned in dark red to improve their appearances.

We were unable to salvage the original paper cover of this book but a colour photocopy has allowed us to retain much of the bindings character.

We were unable to salvage the original paper cover of this book but a colour photocopy has allowed us to retain much of the bindings character.

The splendid binding of the 1834 Italian guide book.

The splendid binding of the 1834 Italian guide book.

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Posted by on in Collection Care

On the night of 23 February 1944 enemy planes flew over St James’s and dropped a deadly cargo of high-explosive bombs. Four landed between Jermyn Street and Pall Mall, with one hitting the London Library’s north-west wing. The Library lost four floors of its 1930s stacks and the blast affected many of the library’s most iconic spaces, including the Art Room and the Prevost Room (now the Sackler Study). Over 16,000 volumes were destroyed or damaged beyond repair. Even where books had escaped the full force of the explosion, these were seriously affected by the dust and dirt.

In the aftermath of the disaster, repairing the Library’s building fabric had to be a priority. Rebuilding the collections was also high on the agenda. Where books had been obliterated or were simply too damaged to put back on the shelves, the Library sought to replace them. New copies of the most popular volumes were acquired shortly after the disaster, while strenuous efforts to fill gaps in the art, fiction and biography collections went on well into the Fifties.

70 years later, bomb-damaged volumes can still be found on the library’s shelves. If you’ve spent time browsing the Library’s art collections, you may well have come across books with the words “damaged by enemy action” (or “e. a.”) lightly pencilled onto the reverse of the title page. In many cases, bomb-damaged books were retained because they were still serviceable, despite the odd warped board, tear or water stain. In others, more seriously mutilated volumes were retained because there was no replacement copy to be had.

Over the years, work has been carried out to stabilise many of these surviving books. Bindings have been strengthened, shrapnel holes patched, and tears mended. These kind of repairs fall well within our in-house conservator’s repertoire, and all are carried out with archival quality materials, such as Japanese papers and wheat starch paste, to ensure that they can be removed should the need ever arise. There is never any attempt to hide the original damage, or to make the book look ‘as good as new’, as our Collection Care team follows a programme of conservation rather than restoration. We act to arrest the degradation of our collections rather than to reverse it, and try as far as possible to maintain the historical integrity of the books in our care.

A handful of our surviving bomb-damaged books remain almost unusable, their bindings shattered by shrapnel and bits of blasted mortar. Where fragments punctured the text-blocks, pages have become ‘mechanically adhered’: each page has curled around the other at the point of impact, with an interlocking effect. In this state, the pages cannot be turned without snagging and tearing. We could flatten these pages by a process of humidification, but to do so would remove primary evidence of an event which not only affected this book, but also had ramifications for the Library’s wider collections.

In these rare cases of extreme mutilation, we have elected to preserve the books in their damaged state, carrying out only minimal repairs where these are needed to prevent further degradation. Where bindings were blown off or are no longer able to protect the pages within them, we have boxed these volumes. We have removed embedded shrapnel and mortar as this could cause the paper to decay, and encapsulated any interesting fragments in archival-quality plastic, so that they can still be seen but won’t harm the books. Having carried out this essential preservation work, the risk of loss to the bindings and paper is now low.

Since the disaster some 70 years ago, interest in our bomb-damaged volumes has transferred from the textual document to the historical object. We would not want to restore the volumes to how they were before the disaster, as to do so would undoubtedly result in losses of a different kind – this time cultural and historical. Preserved in their war-torn state, they are poignant reminders of a dark period in the Library’s history and of the institution’s remarkable resilience.

Pages suffering from mechanical adhesion

Pages suffering from mechanical adhesion

This book lost its covers, and the pages have been badly distorted and torn

This book lost its covers, and the pages have been badly distorted and torn

Close-up of torn and crumpled pages caused by the blast

Close-up of torn and crumpled pages caused by the blast

One of our surviving casualties from the air raid

One of our surviving casualties from the air raid

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As we edge towards Christmas Helen O’Neill, our Archive, Heritage and Development Librarian, takes a peek at Christmas advertisements in 1914 and looks at the depiction of the Christmas Truce both today and 100 years ago.

In the five days preceding 12 December 1914 the Post Office reported that 250,000 parcels had been sent to troops at the Front and the following week 200,000 more were despatched along with two and a half million letters. The Post Office increased its van fleet by half to cope with demand, and as rail services were disrupted by the war and vehicles were in scarce supply, post was transported in a range of conveyances including open cars and furniture vans.

So how did the recipients of these letters and parcels spend Christmas 1914? The Christmas Truce depicted in this year’s Sainsbury’s advertshows the point at which the fighting stopped during World War One and opposing sides met in a temporary peace in No-Man’s Land. The carol singing, handshaking, swapping of caps, cigarettes and mementos, and football all feature and are historically referenced in soldiers’ letters and diaries and newspaper reporting of the time. At the time of writing the advert has had a staggering 15,682,873 YouTube hits, and some criticism, but how was the truce illustrated in 1914 and what impact did the war have on advertising in the run up to Christmas 100 years ago?

Christmas adverts in the pages of The Times in December 1914 include household brands such as Boots, Perrier, Oxo, Bovril, Horlicks, Burberry’s, Moss Bros and Shell, to name a few, which capitalised on their presence and use at the Front. From Burberry fleece lined gabardine trench coats to Shell fuelling the ambulances of the Allied forces, the adverts are rich in detail, many using soldiers’ testimonies as proof of their efficacy. Acquasctuum, Burberrys and Moss Bros all advertised officer’s kit. Burberry used no less than six quotes from those on active service as endorsements, including this from A.D.P. of the 16th Battalion London Regiment: “All officers coming out for the winter should have a Burberry with detachable fleece lining and Gabardine overalls. They will be covered in mud the first hour in the trenches but Gabardine dries well and the mud drops off.”

If testimonies from the Front were not suitably persuasive Burberry had a secret advertising weapon in the shape of Antarctic explorer and national hero, Ernest Shackleton: “Gabardine is a lightweight weatherproof material of such remarkable warmth-maintaining powers that Sir E. Shackleton recently said nothing would induce him in polar regions to use any substitute even if the price of gabardine doubles and the substitute were offered free of charge.”

Benson’s advertised an “essential” part of an officers’ kit – an “active service watch” with fully luminous figures and hands so that the time could be seen at night. Boots ran several versions of an advert for its own brand of British cologne: White Heather and Jersey Castle under the header “No more German eau de cologne”. Food stuffs featured too. Oxo adverts claimed to be “exactly suited to the needs of our men at the Front – made in minutes and sustains with bread and a few biscuits for hours”. If a few minutes were not to be had, Horlicks Malted Milk tablets were advertised as “invaluable to any soldier in the field. Most efficient at relieving hunger and thirst and preventing fatigue”. Horlicks offered free post to the Front if the name, regimental number, brigade and division of the soldier was supplied. Bovril used a military metaphor in its advertising asking “Are your communications threatened? Build up the defensive forces of your body. Bovril is and has always been at the Front.” Paisley Flour addressed itself to mothers of sons on active service in an advert that encouraged the baking and sending of home-made cake to the Front:
“You could not offer your boy in camp or at the Front any greater treat than a good wholesome home-made cake like those he used to get at home. Send him one this week with Paisley Flour”

If cake, Perrier water and a waterproof gabardine failed to stave off colds Dr J. Collis Browne’s Chloradyne –a remedy for “coughs, colds, colic, ague and kindred ailments” claimed to do the trick:
“Next to the weapons he bears, the best safeguard of a soldiers’ life is a small bottle Dr Collis Browne’s Chloradyne…it is a medicine chest in itself…Every man on active service should have a supply.”

The Civil Service Supply Association advertised service kits and camp equipment but also “Gifts for the Troops“ which included small items such as tobacco, cigarettes, socks, mittens, mufflers, caps, chocolate, ointments, foot powder, pocket knives, postcards and pencils. Taken in their totality the adverts provide a grim picture of conditions at the Front.

So in these grim conditions how was the temporary, spontaneous and informal Christmas Truce (or more accurately Christmas truces) depicted in 1914? The truce featured in the pages of The Illustrated London News on 9 January 1915. In a remarkable double page spread on page 5 the meeting of German and British soldiers in No Man’s Land is rendered as an etching from a photograph with the following description:

“The spirit of Christmas made itself felt in at least one section of the trenches at the front, where British and German soldiers fraternised…during an informal and spontaneous truce there was ‘peace on earth and goodwill to all men’…British and Germans met and shook hands, exchanged cigars and cigarettes, newspapers and addresses and wished each other the compliments of the season…A group of British and German soldiers, arm-in-arm, some of whom had exchanged head-gear were photographed by a German Officer…Some of the British it is said visited the German trenches and an Anglo-German football match was even played…”

The cover page illustration of this edition is an image of a single German solider, approaching the British lines with a small illuminated Christmas tree and the caption: “The light of peace in the trenches”.

By the time these images appeared on 9 January 1914 The Times had already reported that friendly approaches by German soldiers to the British line were now being treated as acts of treason and no further informal and spontaneous truces would break out over the remaining four years of the war.

The Sainsbury’s advert does not show the burial of the dead or the work to shore up and repair trenches, which also happened during the period of the truce, but a photo which appeared in The Illustrated London News on Jan 9 1915 p. 55 showed trench repair along with a detailed commentary of the shared trench experience of British and German soldiers:

“The life led by the infantry on both sides at close quarters is a strange, cramped existence with death always near, either by means of some missile from above or some mines exploded from beneath: a life which has the dull monotonous background of mud and water. Even where there is but little fighting the troops are kept hard at work strengthening the existing defences and constructing others, improving the shelter which is imperative in such weather and improving the sanitary condition and communications of the trenches.”

On Christmas Eve 1981 a BBC2 documentary about the Christmas Truce was aired called Peace in No Man’s Land which was written and produced by Malcolm Brown and researched by Shirley Seaton. In the programme veterans present at the truce spoke about their experience. In the programme (which has a modest 5000 YouTube hits), an 84 year old veteran called Albert Morrow makes a simple but profound observation. He was a 17 year old private in the Queen’s Regiment when he took part in the truce and his observation captures the essence of why the informal and spontaneous Christmas Truce of 1914 continues to resonate in the popular consciousness 100 years on:

“If the truce had gone on and on there’s no telling what could have happened, it could have meant the end of war, after all they didn’t want war and we didn’t want war, and it could have ended up by finishing the war altogether.”

The Christmas Truce depicted in The Illustrated London News showed German and British soldiers meeting in No Man’s Land shaking hands and exchanging headgear. The etching was taken from a photograph taken during the truce. The figure on the extreme left is a German soldier in a British service cap and the fourth figure from the left is a British soldier wearing a Pickelhaube or German helmet.

The cover image of The Illustrated London News on January 9 1915 depicted a German soldier opening the truce by approaching British lines with a small Christmas tree.

The cover image of The Illustrated London News on January 9 1915 depicted a German soldier opening the truce by approaching British lines with a small Christmas tree.

Christmas True depicted in The Illustrated London News showed German and British soldiers meeting in No Man’s Land shaking hands and exchanging headgear. The etching was taken from a photograph taken during the truce. The figure on the extreme left is a German soldier in a British service cap and the fourth figure from the left is a British soldier wearing a Pickelhaube or German helmet.

Trench repair was conducted by both German and British soldiers during the truce.  Illustrated London News January 9, 1915. The burial of the dead also took place during the truce.

Trench repair was conducted by both German and British soldiers during the truce. Illustrated London News January 9, 1915. The burial of the dead also took place at this time.

Benson’s Active Service Watch with illuminated figures and hands was marketed as an essential part of an officer’s kit.

Benson’s Active Service Watch with illuminated figures and hands was marketed as an essential part of an officer’s kit.

Under the title “No more German eau de cologne” Boots advertised British alternatives.

Under the title “No more German eau de cologne” Boots advertised British alternatives.

Burberrys used testimonials from solders at the Front in its advertising and offered an ordering and fitting service in London and Paris which could be completed within a few hours.

Burberrys used testimonials from solders at the Front in its advertising and offered an ordering and fitting service in London and Paris which could be completed within a few hours.

Advertisements for Dr Collis Browne’s Chlorodyne claimed soldiers at the Front realised its value and recommended that every man on active service should have a supply.

Advertisements for Dr Collis Browne’s Chlorodyne claimed soldiers at the Front realised its value and recommended that every man on active service should have a supply.

Horlick’s Malted Milk tablets claimed to be “invaluable to a soldier in the field” relieving hunger, thirst and fatigue.

Horlick’s Malted Milk tablets claimed to be “invaluable to a soldier in the field” relieving hunger, thirst and fatigue.

Adverts for Perrier water in December 1914 marketed itself as the table water of the Allies in both battlefield and hospital.

Adverts for Perrier water in December 1914 marketed itself as the table water of the Allies in both battlefield and hospital.

Shell’s adverts highlighted its role as a supplier to the Allied Forces and its use in petrol driven ambulances.

Shell’s adverts highlighted its role as a supplier to the Allied Forces and its use in petrol driven ambulances.

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Posted by on in Bibliographic Services

By Dunia Garcia-Ontiveros, Head of Bibliographic Services at The London Library. Adapted from an article originally written for History Today.

Niccolò Fontana Tartaglia was one of the less fortunate and most cantankerous polymaths of the Italian Renaissance. He was born in 1500 in Brescia, the son of a humble courier who was murdered when Niccolò was only six years old. The Fontana family had always been poor but after the father’s death their situation became desperate. Only six years later Niccolò received the second major blow of his life, this time a literal one. In 1512 his home town of Brescia was sacked by French soldiers and in the ensuing massacre a twelve year old Niccolò was left for dead after receiving horrific sabre wounds to his jaw and palate. Although he survived the attack the severe injuries he received left him with permanent speech difficulties, which earned him the nickname of ‘Tartaglia’ (stutterer). Niccolò could not hide the stammer but he could at least hide his facial scars by simply growing a beard, which he did as soon as he was able. As a destitute and disfigured boy with a stammer Niccolò would probably not have had high aspirations in life had it not been for one crucial fact: when it came to mathematics he was a child prodigy. Despite his terrible misfortunes Niccolò had great self-belief, some say arrogance, and managed to find a patron who paid for him to study in Padua.

By 1516 the teenager was already teaching in Verona but still lived in relative poverty. He later moved to Venice, where he spent most of the rest of his life. He is best known for coming up with one method for resolving cubic equations and for his bitter quarrel with Girolamo Cardano as a result. Cardano, who was also a mathematician, had persuaded Tartaglia to tell him about this method after swearing that he would never reveal it. Soon after, Cardano discovered that another mathematician, Scipione Ferro, had been the first to find a s
olution to the cubic equation and saw no reason why he shouldn’t publish Ferro’s method and the work Cardano himself had done based on Tartaglia’s solution. It is not clear whether Tartaglia wanted to be the one to publish his method or perhaps he was saving it for use in the many mathematical debates he participated, which had served to enhance his reputation. One thing is certain, Tartaglia felt Cardano had betrayed him and was absolutely furious. He never forgave him and never missed an opportunity to heap insults on Cardano. His reputation was further dented when, sensing defeat, he walked out of a mathematical debate against Lodovico Ferrari, Cardano’s pupil.

Tartaglia published Italian translations of the works of Archimedes and Euclid and is also remembered for his work in military science. It is not surprising that after almost being killed as a child by an invading soldier he should devote some of his considerable intellect and ingenuity to designing fortifications and devising formulae to calculate the reach and trajectory of cannonballs and other missiles. What is less well known is that Tartaglia was also interested in marine engineering and salvage.

The London Library holds a copy of his work, printed in Venice in 1551, on methods for raising sunken ships, which includes several designs for diving bells: Regola generale da sulevare con ragione e misura nõ solamẽte ogni affondata naue : ma una torre solida di mettallo (General rule for raising not only every sunken ship correctly and with care but also a tower of solid metal).

Despite Tartaglia’s genius and intellectual achievements he never managed to make the social connections that would have secured him lucrative employment and he died in poverty at the age of 51. His life was blighted by tragedy, violence and the highly damaging feud with Cardano.

A self-operated diving bell

A self-operated diving bell

One of the ingenious methods

One of the ingenious methods for raising a sunken ship
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Conservation and Restoration student Jo Berzins has just completed a 10 week work placement with The London Library’s Collection Care department. As her time at the Library drew to a close we caught up with her to talk about her experiences.

What inspired you to come to the London Library?

I’m studying for a BA in Conservation and Restoration at the University of Lincoln, and as part of my studies I needed to undertake a work placement in a conservation department. Although my course is mainly to do with objects (such as ceramics, wood and metalwork) I have a real passion for books. When my tutor suggested The London Library, I knew this was where I wanted to come. I was attracted by the prestige of the institution, as well as the opportunity to have one-to-one guidance and instruction from Rachel, the Library’s Conservator.

Did you have any experience of book conservation before you came here?

I first became interested in book conservation when I was Custodian of Lamport Hall in Northamptonshire. While I was there, I carried out a major cleaning project on the Hall’s historic library collections. It was hard work, but I was very proud of my achievement. I even got a two-page feature in the local paper!

Since starting my BA course I’ve undertaken a very short project on conserving a pamphlet, but other than that book conservation was a new world for me.

What were your first impressions of the Library?

I felt awestruck when I first arrived. The building had more original features that I’d imagined and I was impressed by the quiet and studious ambience of the Reading Room. I was also taken aback by the scale of the Library and its collections. I had two or three orientation tours of the Library that first day, which left me feeling quite exhausted and had my head spinning!

My first task in the Conservation Studio was to learn how to make a book box. Frances, the Library’s Preservation Assistant, was a great teacher. The atmosphere in the Collection Care department was wonderful. Everyone was really friendly and welcoming.

Tell us about the project you have been working on during your internship

I’ve been working on the Library’s holdings of The Lady magazine, which cover 1885 through to 1985. I had to draw up a survey of all the volumes to show which repairs would be needed, and once that was completed I got on with implementing the treatments. It has been a fabulous project and I’ve enjoyed looking through the magazines while I’ve been working on them. It made me smile to find a small feature on bookbinding as an ideal handicraft for the genteel lady at home! I found lots of wonderful adverts too, from shoes to hair tonic.

Some of the books were in fairly poor repair. There were quite a few broken headcaps to be repaired, and some of the spines were completely detached. Where the bookcloth covering had abraded, often at the corners, layers of book board had started to come apart or ‘delaminate’.

I’ve learnt so much through working on this project. I now know how to attach spines, insert pages, and even sew sections of a book together on a wooden frame. I’ve had a lot of practice in repairing tears. All the treatments I’ve done have used archival quality materials and where possible, have been in keeping with the book. For example, where I’ve needed to repair bindings with special lightweight linen, I’ve toned this to match the colour of the original binding.

Has anything surprised you?

Before I started my internship, I hadn’t realised how long each repair can take. You can be working on one volume, another thing will be drying so that you can carry out a further process on it, and you can easily find yourself with four or five books on the go at once! I soon realised I had to slow down and be patient, and found that if you take one step at a time you get a better result.

Has there been anything you’ve found difficult?

So much has been new to me, so of course I have needed guidance as I’ve undertaken different kinds of treatment for the first time. Rachel, the Library’s Conservator, has taken the time to demonstrate and explain each repair to me really clearly and she has also shared some of the tricks of the trade that help her to get a great finish.

Not long into the project, I realised that I needed to learn more about how books are made so that I could make the right decisions about how to repair them. The Library arranged for me to visit a commercial bindery to find out more. It was a fascinating day. The binder walked me through every stage of the bookbinding process and it was reassuring to find that some of the binding repairs I had found fiddly were also considered difficult by the professionals!

How would you sum up your time at the Library?

I’ve absolutely loved it, every minute of it. Would I recommend a placement to other conservation students? Definitely!

Advert for shoes in The Lady magazine

Advert for shoes in The Lady magazine

Bookbinding as 'a handicraft peculiarly suitable for women' (extract from The Lady)

Bookbinding as ‘a handicraft peculiarly suitable for women’ (extract from The Lady)

Books mid-treatment

Books mid-treatment

Jo at her workstation

Jo at her workstation

Learning to sew a book onto supports

Learning to sew a book onto supports

One of many volumes with badly damaged spines

One of many volumes with badly damaged spines

Some of the pages were badly crumpled and torn

Some of the pages were badly crumpled and torn

This illustrated advert for hair tonic raised a smile

This illustrated advert for hair tonic raised a smile

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