In partnership with Jewish Book Week

Hampstead in the 1930s. Barbara Hepworth and Ben Nicholson have embarked on a love affair which will go on to launch an era-defining art movement.

Circles and Squares chronicles the exhilarating rise and fall of British Modernism, capturing the inner circle drawn into Hepworth and Nicholson’s wake: among them Henry Moore, Herbert Read, Paul Nash and the famed European emigrés Walter Gropius, Piet Mondrian and László and Lucia Moholy-Nagy. This enthralling, finely researched account threads together the lives, loves, ambitions and rivalries of the artists at the heart of an international avant-garde, trailblazers united in their belief that art could change the world. Author Caroline Maclean is in conversation with Lara Feigel.

 

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Those of you who find yourselves passing by the Library's window in Mason's Yard will have seen that a new display has been installed featuring new books by members, many of which have been written and researched in the Library. 

The eclectic display showcases books from fiction, history, art and more - demonstrating the wide range of resources on offer to Library members.

It includes:

All of these books are now available to borrow from the Library, just log in to Catalyst to browse then choose to collect from the Library or have them posted to you at home.

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Originally published in February 2014

The Folklore collection at The London Library forms a substantial section in Science & Miscellaneous, with works from the 18th to the 21st century in English and many other languages. The universal subject of Folklore and its deeply rooted place in the cultural fabric of nationalities is reflected in the Library’s collections. The collection contains a wide range of works on different strands of folklore; traditional and popular beliefs, customs, legends, fairy tales and music.

Studies on King Arthur, the medieval and mythological figure can be found here, with works discussing the legend in its many guises; Merlin, the Holy Grail, King Arthur’s Knights and the Round Table.  Some interesting works are: Arthur of Britain by E.K. Chambers (1927); La légende arthurienne: études et documents. Première partie, Les plus anciens textes by Edmond Faral (1929) and The Holy Grail, its legends and symbolism: an explanatory survey of their embodiment in romance literature and a critical study of the interpretations placed thereon by Arthur Edward Waite (1933). Interest on the legend is still as popular as ever, as recent acquisitions such as Worlds of Arthur: facts and fictions of the dark ages by Guy Halsall (2013) and The true history of Merlin the Magician by Anne Lawrence-Mathers (2012) suggest.

The major role of folklore collected and transcribed through oral tradition is seen in titles such as Tales of the fairies and of the ghost world’ collected from the oral tradition in South-west Munster by Jeremiah Curtin (1895) and Old Deccan days, or, Hindoo fairy legends current in southern India collected from oral tradition by M. Frere (1868).

Popular beliefs, traditions and tales are also included in works from abroad in the recently catalogued Curiosità popolari tradizionali series of books from different parts of Italy, and volumes in the series Les littératures populaires de toutes les nations include works from France, Greece, Turkey and China. Religious folklore is seen in Folk-lore of the Holy Land: Moslem, Christian and Jewish by J.E. Hanauer (1907).

 

The handed-down tradition of Folk music by unknown composers is seen in the folk songs of India, Greece, Serbia and Canada housed in the Library’s collections; Greek folk-songs from the Turkish provinces of Greece … Albania, Thessaly, (not yet wholly free,) and Macedonia: literal and metrical translations by Lucy M.J. Garnett (1885) are particularly note-worthy.

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Fairy tales are a large part of the folklore section and probably the most well-known are Grimm’s fairy tales – Kinder- und Hausmärchen.  Both early and current editions of the tales, including criticism, can be found here and have now all been retrospectively catalogued.  In addition, some books on fairy tales from other parts of the world have also just been added such as: Welsh fairy-tales and other stories collected and edited by P.H. Emerson (1894); Chinese fairy tales told in English by Herbert A. Giles (1911) and Fairy folk tales of the Maori by James Cowan (1925).

The customs, superstitions and practices of subcultures are also explored. Sir James George Frazer’s famous work, The Golden Bougha comparative study of mythology and religion (1890), includes such topics including a chapter on ‘Christmas and the mistletoe’, as does a more modern take on ‘superstition’, Old wives’ tales by Eric Maple (1981).

Other topics of interest found in the Library’s folklore collection retrospectively catalogued or soon to be, are books on moon mythology: Moon lore by Timothy Harley (1885); plant lore: La mythologie des plantes, ou, Les légendes du règne végétal by Angelo de Gubernatis (1878-1882) and The mystic mandrake by C.J.S. Thompson (1934); animal mythology: Un-natural history, or, Myths of ancient science: being a collection of curious tracts on the basilisk, unicorn, phoenix, behemoth or leviathan, dragon, giant spider, tarantula, chameleons, satyrs, homines caudati, &c. now first translated from the Latin, and edited, with notes and illustrations, by Edmund Goldsmid (1886); and werewolves: The werewolf by Montague Summers (1933).

The enduring popularity of Folklore influence is seen in the rise of contemporary fiction writing in this genre (notable in the Harry Potter series where mandrakes, unicorns, basilisks, dragons, phoenixes, giant spiders and werewolves feature), and is reflected in recent Library acquisitions Mythic thinking in twentieth-century Britain: meaning for modernity by Matthew Sterenberg (2013), The white devil: the werewolf in European culture by Matthew Beresford (2013) and The rise of the vampire by Erik Butler (2013).

 

Maame Blue and Sareeta Domingo, two of Jacaranda Books’ #TwentyIn2020 authors, discuss their stunning new novels, investigations of modern love and all its complexities.

Maame Blue's Bad Love is the story of London born Ghanaian Ekuah Danquah and her tumultuous experience with first love. Marked by this experience, she finds herself at a crossroads - can she fall in love again, or does the siren song of her first love still call?

Sareeta Domingo’s If I Don’t Have You is the story of Afro-Brazilian filmmaker Ren and Black British artist Kayla as they navigate their attraction to each other, alongside their carefully constructed lives and the secrets that lurk between them.